Margot Robbie’s title has been on everybody’s lips this Hollywood awards season.
From the black metallic column robe she walked the Oscars purple carpet in, to the burnt orange feather boa she wore to Chanel’s pre-Academy Awards dinner in Los Angeles, there was one constant theme – and this time, it’s not Barbiecore.
There was a time final 12 months when all the things the Australian star wore was in some way tied to the Mattel doll she famously performed on the large display screen in Barbie, a film which made $US1.446 billion worldwide.
In fact, the genius press tour for the Oscar-nominated Greta Gerwig-directed movie had Robbie in Barbie-esque outfits by Chanel (that Claudia Schiffer-inspired pink two-piece mini and tweed set), to Vivienne Westwood and Schiaparelli, taking Barbie from a plastic doll to actual life vogue muse (very like the film itself).
By the point Robbie attended the Oscars earlier this month, she was sporting a visibly much less Barbie-like aesthetic – which was apparent, specifically, through her selection of make-up.
A Chanel ambassador, Robbie and her long-time collaborator, make-up artist Pati Dubroff, confirmed off an understated magnificence aesthetic that marked a shift from Robbie’s doll-inspired period right into a publish Barbie world and maybe, again to her true self.
So how did Robbie and Dubroff do it?
A touch could have come within the type of Robbie’s latest function within the Chanel marketing campaign for its new Rouge Attract Velvet Nuit Blanche assortment.
On set for the Chanel marketing campaign, Robbie wore shade 00:00, a luminous matte “Sienna” purple, impressed by the point of midnight.
“In my common life, I hold my make-up fairly easy,” Robbie stated.
“In actual life, I in all probability use solely 5 various things. Then [I’ll be] a little bit extra adventurous when it’s a purple carpet look. Mess around with totally different colours and merchandise.”
“Tonight, the make-up was actually to go with the burnt orange feather colors,” she added, of the disco-inspired aesthetic. “We’ve performed with heat tones and a little bit of a poppy lip.
“I’m an evening owl, so I’m typically up very late!”
Packaged in a white case trimmed with the home’s signature daring black traces, Rouge Attract Velvet Nuit Blanche assortment was impressed by the evening – and all its after-dark glamour.
“Night time. That magical time when the town lights up and involves life to the sound of heels clicking throughout the cobblestones,” reads the presser.
“On the coronary heart of the night pleasure, ROUGE ALLURE VELVET units the tempo for an evening with out limits.”
Additionally with out limits? Robbie and her stylist Andrew Mukamal – who oversaw her seems for the Barbie press tour – talking to Vogue about their coffee-table ebook titled Barbie: The World Tour, which paperwork Robbie’s model as she promoted the movie.
“I had the thought once I was in one of many [tour] fittings with Margot,” Mukamal instructed Vogue.
“I used to be amassing all these sketches and material swatches from designers, and I used to be like, ‘Wow, all of this could take advantage of lovely coffee-table ebook.’”
Robbie added: “We nonetheless had a bunch of seems that didn’t get their second”.
“We had been like, ‘Oh, that’s so unhappy.’ However then Andrew discovered a approach for them to have their second.” That, and her make-up.
